College of Visual & Performing Arts
- Davis College of Business and Education
- College of Education and Human Development
- College of Graduate Studies and Research
- Waldron College of Health and Human Services
- College of Humanities and Behavioral Sciences
- Artis College of Science and Technology
- College of Visual and Performing Arts
- Other Offices and Departments
Auditions for Upcoming Shows
MUCH ADO ABOUT NOTHING -- Audition
Radford University Department of Theatre & Cinema
Much Ado About Nothing
By William Shakespeare
Directed by Molly Hood
Tuesday, January 17th at 6:30 pm and Wednesday, January 18th at 6:30pm.
It is strongly preferred that you attend the first night of auditions on Tuesday.
Callbacks will immediately follow Wednesday night’s auditions, at approximately 7:00 pm.
|Bondurant Auditorium, Preston Hall, Radford University|
WHAT TO PREPARE
· A memorized 60-90 second Shakespeare monologue.
· If you sing, you may be asked to sing 30 seconds of a song a capella.
· You may be asked to read from the script at the initial audition.
· The best way to prepare is to read and know the play, and to dedicate yourself to presenting a well-prepared audition monologue.
· Bring your complete class and work schedule for January 20th through April 9th. Cast and crew will have to miss some class on Wednesday April 5th for a matinee.
· Callbacks will consist of readings from the script and may include a short movement call. Those who are called back for singing or music roles will be asked to sing and/or bring their instrument to play (please see more information below).
13-15 focused, dynamic performers with an aptitude for character building, humor, storytelling, and a love of language. Shakespeare is the Olympics of acting, so bring your very best vocal, physical, and playful self into the room.
All roles are available. Approximately half of the ensemble will play more than one part. The role of Balthazar requires playing an instrument (preferably a stringed instrument), and singing.
The characters of Benedick, Beatrice, Claudio, Hero, and Don Pedro engage in brief moments of staged theatrical intimacy, including closed-mouth kissing. Consent and respect for actors’ boundaries will be a foundational part of rehearsal and performance of any staged intimacy. All moments of intimacy will be choreographed.
The script can be accessed online at:
Questions? Contact Molly Hood at email@example.com
GENERAL RU THEATRE AUDITION INFO AND TIPS
- Auditions typically happen in the first two weeks of each semester. Occasionally an exception occurs in which a spring production may audition late in the fall semester.
- RU Theatre auditions are open, meaning anyone can audition. You don’t have to be a theatre major. Community members may audition also with the understanding that priority in casting will go to RU students.
- Most of our auditions require prepared material. If you are not a theatre student and don’t know how to prepare and present the requested material, usually something will be supplied to you to read. Theatre majors, however, are required to prepare according to the requirements for a given audition. In the case of plays requiring very specific skills such as singing in a musical, auditionees are highly encouraged to prepare the appropriate material.
- Performance majors are required to audition for ALL productions. More on this below.
Other audition “words to the wise”:
- When it comes to auditions, one of the few things in your control is your level of preparation. Reading the play is, arguably, the most important thing you can do to prepare. The plays are available from bookstores, online vendors and/or the play publishers.
- It is the expectation that all performance students audition for all shows. Our auditions are designed to provide a variety of audition experiences so take advantage of these experiences right from the start. Every audition is one more step toward becoming comfortable with the process. In addition, it allows the faculty to see your work right away.
- Take care not to “type” yourself at this point. Prepare, come on out and let the directors decide what you are “right for.” Certainly, if there is a role you are dying to play, or you are “perfect for,” shoot for that, but keep an open mind and don’t allow the attitude of “all these characters are older and I am only 18” stop you from coming to auditions. In university theatre the plays are produced to give you the opportunity to work on them.
- Auditions are intimidating. Talk to the upperclassmen; use the performance faculty as a resource to answer your questions. However, no matter how much inquiry you make there will be no substitute for doing your personal preparation –reading the scripts, looking up unfamiliar words/references, making choices, being familiar with what the director is looking for (read audition notices carefully), getting rest, planning to dress appropriately, knowing where you are going and arriving early to sign in, warm up, etc.
- It is smart to attend the first night of auditions if at all possible.
- Once you are in the audition it is important to listen to instructions, have a positive attitude, be flexible when the unexpected happens, focus on what you are doing, and, of course, that age-old challenge…allow yourself to be at ease so you can do your best work.