Associate Professor
Music, Dept of
Covington Center for VPA 106
Box 6968
Philosophy and Focus: My teaching philosophy is very simple – I want my students to get jobs. As such, my studio is built on the foundation of preparing students for the real world far beyond the typical classical piano studio experience. While we study and perform classical repertoire, of course, we also do so much more – studying jazz and popular music, composing and arranging our own original works, and producing outreach concerts that benefit members of our community.
My own career has taught me the value of this breadth of experience. While much of my academic background is in classical performance, I’ve spent many successful years of my life as a conductor, arranger, vocal coach, church organist, composer, and theatre director. Being able to branch out from my classical training and explore the many opportunities a life in music has to offer has been the cornerstone of my career and remains a versatility I hope to impart onto my own students.
Background: My musical interests are a bit all over the place - I grew up on Frank Sinatra and the great singers of the swing era, but also fell in love with musical theatre and jazz from a pretty young age. Combine that with early studies in classical piano and you get a rather strange and eclectic mix of musical appreciation across the board.
I’ve been fortunate enough to study both classical and popular music throughout my own life and have built a career somewhere in between the two worlds as a performer and a composer, from conducting Broadway orchestras to recording with Grammy nominated gospel choirs to performing classically at the Kennedy Center, Lincoln Center, and Carnegie Hall – and almost everything in between.
Teaching: I’ve been incredibly lucky to have had the most amazing teachers along every step of my musical journey - from a toddler who couldn’t even reach the pedals of the piano all the way through my doctoral work in performance. I hope to reflect even a small portion of their brilliance and inspiration in my own teaching.
My piano majors go through an intense and carefully designed four years of study, including collaborative courses, keyboard literature, and piano ensembles – all while studying a wide variety of solo repertoire in applied lessons. We also study jazz, compose and arrange our own music, and perform a studio recital every semester for the public.
My students have been accepted to internationally renowned programs including the Royal Conservatory of Scotland, New York University, Brevard Music Center and Interlochen Center for the Arts.
Creative Work: I love messing with music – I like taking classical pieces and making them popular, and taking popular songs and making them classical. I think there’s a great joy in the creative process like that, almost like you’re breaking the rules and exploring into the unknown.
Much of my creative work is focused on bridging those two worlds, both in elevating popular music scholarship and significance within the classical world as well as equipping classical pianists with the tools and vocabulary needed to successfully traverse popular styles of music.
For more information about Matt Cataldi, please open the tabs below. If you would like a digital copy of his complete CV, please contact him at mcataldi@radford.edu.
Indiana University
Doctor of Music in Piano Performance and Literature (2014)
Dissertation: Franz Liszt – Prophecy in the Late Piano Works
Minor fields: Jazz Studies and Music Theory
Indiana University
Master of Music in Piano Performance (2014)
Minor fields: Jazz Studies and Musicology
Florida State
Bachelor of Music in Piano Performance (2008)
Diploma in Piano with Honors
Eastman School of Music Community Education Division (2004)
MUSC 152 - Pianist as Collaborator I
MUSC 153 - Pianist as Collaborator II
MUSC 334 – Applied Piano
MUSC 441/541 – Keyboard Literature I
MUSC 442/542 – Keyboard Literature II
MUSC 444 – Collaborative Piano Ensemble
MUSC 450 – Chamber Music
MUSC 458/558 – Accompanying
MUSC 461 – Piano Ensemble
MUSC 497 – Undergraduate Recital
MUSC 671 – Advanced Applied Piano
MUSC 697 – Graduate Recital
Radford University Dalton Eminent Scholar Rising Star Award – 2020
Broadway Etudes for the Left Hand (2024): Virtuoso left hand etudes based on popular Broadway tunes.
24 Preludes in Popular Style after Chopin (2022): Arrangements of all of Chopin’s Op.28 Preludes in a variety of jazz and popular styles
Hail to the King (2019): A virtuoso medley of Michael Jackson’s greatest hits
Variations and Fugue on a Theme by Led Zeppelin (2018): A classical set of variations and a fugue based on “Stairway to Heaven”
24 Preludes in Popular Style after Chopin (2022). Released on Albany Records.
Piano de Pampa y Jungla – A collection of Latin American Piano Music (2012). Produced by the Education Office of the United States Embassy of Spain
Cataldi, M. (2021). "Fear not the cadenza: composing and improvising in the classical concerto." American Music Teacher, 70(5).
Cataldi, M. (2020). College Music Society – Teaching Music in the Age of COVID-19: Resources for One-on-one Lessons. Music.org.
Cataldi, M. (2020) “Practicing Piano on a Keyboard: Five tips to make practice time as effective and engaging as possible.” Music.org.