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James Robey talking with dance students.
James Robey with dance students right before the annual Dancing on the Edge concert.

Focus and Philosophy: James W. Robey views dance as a form of embodied inquiry—an art that synthesizes creativity, scholarship, and community. His philosophy emphasizes cultivating resilience and imagination in young artists, while also advancing the role of dance within broader conversations of leadership, education, and innovation. As a teacher and choreographer, Robey empowers students to see dance not only as technique or performance, but as a way of knowing and engaging with the world.

Background: Robey’s journey began at age 13, shortly after recovering from a broken ankle sustained while breakdancing. What started as a way to redirect his energy became a lifelong calling. Formal training soon revealed the transformative power of dance as both an art form and a way of thinking. After performing professionally, Robey transitioned into higher education, where he integrated artistry and scholarship. Today, he is recognized as a choreographer, educator, and author dedicated to advancing dance as a vital force in education and culture.

Teaching and Leadership: At Radford University, Robey serves as professor and chair of the Department of Dance. He has also held leadership roles as Interim Dean of the College of Visual and Performing Arts and as Executive Director of the Summer Residential Governor’s School for the Visual & Performing Arts and Humanities. In 2023, he received Radford’s Outstanding Mentor Award. His service extends nationally through his work as a visiting evaluator for the National Association of Schools of Dance and as a member of the Cultivating Leadership Committee for the National Dance Education Organization.

Professional Work: As a performing artist, Robey danced with the Metropolitan Opera Ballet, GroundWorks Dance Theater, Connecticut Ballet, and New York Dance Theater, as well as in productions for Disney World, Tokyo Disneyland, Norwegian Cruise Lines, and Busch Gardens. He founded the Bare Bones Dance Project in New York City, later renamed James Robey Dance in Connecticut.

Research and Presentations: His creative research includes choreography for his own company as well as Connecticut Ballet, Modern American Dance Company, Missouri Ballet Theatre, Ridgefield Symphony Orchestra, Alarm Will Sound, and the Jazz Dance World Congress, among others. His scholarly work bridges leadership, creativity, and dance pedagogy. Robey has presented on topics such as Leadership and Innovation in Arts Education for the Webster Center for Creativity and Innovation in Switzerland and Leadership Jazz with Oxford University’s Dr. David Pendleton at both Henley Business School and the Bristol International Jazz and Blues Festival in the UK. His research on applying the Gravesian framework to contemporary dance has been presented at international and national conferences, including the Arts in Society Conference in Spain, Performing Arts Between Tradition and Contemporaneity in Austria, the National Dance Education Organization, the American College Dance Association, and Hawaii University International Conferences on Arts and Humanities.

For more information about James W. Robey, please open the tabs below. If you would like a digital copy of his complete CV, please contact jrobey3@radford.edu.

Education

Global Leadership Academy, Webster University, St. Louis, MO & Bangkok/Hua Hin, Thailand, 2017

Master of Fine Arts in Performing Arts: Dance, University of Wisconsin—Milwaukee, May 2010

Bachelor of Fine Arts in Dance, University of Akron, May 1993

Courses Taught

DNCE 111: Dance Appreciation

DNCE 131: Beginning Contemporary Dance

DNCE 206: Intermediate Tape Dance

DNCE 220: Dance Composition

DNCE 231: Intermediate Contemporary Dance

DNCE 260: Production Participation

DNCE 280: Intermediate Jazz Dance

DNCE 305: High-Intermediate Ballet

DNCE 310: Study in Somatics

DNCE 320: Choreographic Studies I

DNCE 331: High-Intermediate Contemporary Dance

DNCE 365: Performance Practicuum

DNCE 431: Advanced Contemporary Dance

DNCE 488: Final Honors Proect

DNCE 498: Independent Study: Studio Teaching

DNCE 498: Independent Study: Dance Business Plan

Choreography

Tapestry of Echoes
Radford University Dance Theatre, Radford, VA

We Insist
Summer Residential Governor’s School, Radford, VA

Run
Summer Residential Governor’s School, Radford, VA

Rhythm Chatter
Radford University Dance Theatre, Radford, VA

I Have a Voice
Radford University Dance Theatre, Radford, VA

Dark Side of the Moon Immersive Event
Collaboration with the Commercial Music Ensemble, Davis Performance Hall, Radford, VA

Making Hay 
Mike Mitchell Band, Co-choreographed and performed in music video.

Othering
Radford University Dance Theatre, Radford, VA

Accelerate to the Edge
Collaboration with Dr. Robert Sanderl and the Percussion Ensemble, Davis Performance Hall, Radford, VA

The Crocuses
School of the Arts, Charleston, SC

Something Borrowed, Something Blues
Radford University Dance Theatre, Radford, VA

carelesswhispersonthetrombone
Radford University Dance Theatre, Radford, VA

Falling Apart/Falling Together
Radford University Dance Theatre, Radford, VA

Bits by Brubeck
Radford University Dance Theatre, Radford, VA

We Move Lightly
Radford University Dance Theatre, Radford, VA

Things Aren’t What They Used to Be (2)
Consuming Kinetics Dance Company, St. Louis, MO

Things Aren’t What They Used to Be (1)
Houston High School of the Visual & Performing Arts, Houston, TX 

Will Mr. Merriweather Return from Memphis?
Tennessee Williams Play Festival, St. Louis, MO

Anecdoche
Webster University Dance Ensemble, St. Louis, MO

Stubborn Ounces
Webster University Dance Ensemble, St. Louis, MO

Old Songs On The Radio 
Collaboration with the Music Department and vocalist Melissa Gerth, Webster University Dance Ensemble, St. Louis, MO

Alarm Will Sound
Collaboration with Alarm Will Sound and the Community Music School, St. Louis, MO 

West Meets East
Patravadi School, Hua Hin, Thailand

A Little Blue Something
American College Dance Association Adjudication Concert, Cape Girardeau, MO

The Yellow Bench
Webster University Dance Ensemble, St. Louis, MO

Strings and Ballerinas
Hayden’s Ferry Chamber Music Series, Tempe, AR 

Music from Angel Fire 
Music Festival, Taos, NM

Esperanza prelude to Tisarana
St. Louis Fringe Festival, St. Louis, MO

Lockstep 
Modern America Dance Company, St. Louis, MO

Murder of Crows 
Missouri Ballet Theatre, St. Charles, MO

Bach Pieces
CelloPointe, Danbury, CT

Esperanza
New Works Concert, St. Louis, MO

a series of singular events
Webster University Dance Ensemble, St. Louis, MO

Tie That Binds & Esperanza
Dancing in the Streets Festival, St. Louis, MO

Sarabande
Connecticut Ballet Company, Stamford, CT

Dances for Gloriana 
Collaboration with Ridgefield Symphony Orchestra, movement artist Adelka Polak, and sculptor Justin Perlman, Ridgefield, CT

CelloPointe
Collaboration with Grammy-nominated cellist Peter Wiley, Danbury, CT 

Tsontakis
Collaboration with former members of the Beau Arts Trio at Western Connecticut State University, Danbury, CT

Hindemith
Collaboration with former members of the Beau Arts Trio at Western Connecticut State University, Danbury, CT

The Nutcracker
Ridgefield Civic Ballet, Ridgefield, CT

Missa Pro Dogmata
create.collide.combust, Dance Works, Milwaukee, WI

L’Histoire du Soldat
Ridgefield Symphony Orchestra, Ridgefield, CT

Ridgefield 300: A Concert Celebration
Ridgefield Chorale, Ridgefield, CT

5X5 Dance Festival 
St. Joe’s College. West Hartford, CT 

Rebound Dance Festival
Arts Hall, New Haven, CT

Suite Ella
Connecticut Meets NY Dance Fest, Dance New Amsterdam, New York, NY

Newtonian Billiards
Jazz Dance World Congress Choreography Event, Harris Theater, Chicago, IL 

Axioms
Full Force Dance Theatre, Hartford, CT

95 North/Bound
Connecticut State Dance Festival, Adjudicated by Dan Wagoner, Hartford, CT 

Dogma
Connecticut Choreographer’s Forum, Adjudicated by Martha Myers, Hartford, CT 

Graffiti
Jazz Dance World Congress Choreography Event, University at Buffalo, NY

Turn Around Norman
Wellesley College, Wellesley, MA

The Nutcracker
Danbury Music Center, Danbury, CT

Suite Ella
University Settlement, New York, NY

Suite Ella
Kumquat Theatre, Philadelphia, PA

Axis
Barebones Choreography Showcase, New York, NY

A.M.
Barebones Choreography Showcase, New York, NY

Cost of Living 
Ohio Dance Theatre, Cleveland, OH

Bread and Wine
University of Akron Dance Ensemble, Akron, OH

Duet sections of Sea Legs Express
Norwegian Cruise Lines, Miami, FL

Graffiti
Skip Entertainment Company, Guam, USA

Last Night of the World
Ed McMahon’s Star Search, Orlando, FL

Publications

Robey, J. W., Beginning Jazz Dance, Champaign, IL: Human Kinetics, Inc, 2016.

Robey, J. W., Dance Movements: Traditionalism to Postmodernism and Beyond—Applying the Gravesian Framework to Contemporary Dance, Dance Education Literature & Descriptive Index, 2010.

Honors and Awards

Outstanding Mentor Award
Received the Outstanding Mentor Award in 2023 from the Office of Undergraduate Research and Scholarship at Radford University.

Faces of Feminism in Contemporary Performance Research Grant
Awarded grant for research and performance for Faces of Feminism in Contemporary Performance.

Global Leadership Academy Fellow
Awarded a fellowship that included leadership education and travel to campuses in Bangkok and Hua Hun, Thailand and Scotts Air Force Base in Illinois.

President’s Faculty Dinner and Lecture
Received the honor of delivering keynote lecture for the faculty at Webster University, St. Louis, MO.

Wilma and Roswell Messing Jr. Faculty Award
Received faculty award to support international travel and research in Thailand, Singapore, and Italy.