Professor
Art, Dept of
Artis Center 329
PO Box 6965

Focus and Philosophy: Dr. Bradbury’s core values as an educator are community, collaboration, and creativity. She implements these ideas in all of her work here at Radford University. She strives to use historical and visual analysis as means of teaching students the value of careful observation as well as critical thinking. Through teaching and advising she hopes to motivate and prepare students of all levels from advanced potential scholars to students enrolled in introductory survey courses. Tenets of creative inquiry shape her research as well. Focusing on visual culture related to gender and stereotype, my scholarship addresses historical communities as bearers of cultural knowledge.
Background: Hailing from Central Massachusetts, Dr. Bradbury began her career as a slide librarian in Boston. Managing collections of 35mm slides at an architecture firm as well as the Museum of Fines Arts in Boston led her to graduate study in the history of art from medieval England. She earned a M.Sc. in the History of Art from the University of Edinburgh in Scotland and a Ph.D. in Art History from the University of Illinois at Urbana-Champaign.
Teaching: Dr. Bradbury is a Professor of Art History at Radford University where she has taught since 2007. She teaches a wide range of classes from the large art history survey to small discussion seminars for both undergraduates and graduate students. For Dr. Bradbury, teaching is community building. Both depend on trust, hard work, and authenticity, creating not only personal growth but also long-lasting collaborative relationships.
Research/Scholarship/Creative: Dr. Bradbury’s interdisciplinary research centers on English medieval art, especially perceptions of women and the technology of fiber work. She holds a Ph.D. in art history from the University of Illinois at Urbana-Champaign. She has published and presented on medieval art, gender studies, pedagogy, as well as early Appalachian photography.
For more information about Carlee Bradbury, please open the tabs below. If you would like a digital copy of her complete CV, please contact her at cabradbur@radford.edu.
University of Illinois, Urbana-Champaign (2007)
Doctor of Philosophy, Art History
Dissertation: Imaging and Imagining the Jew in Medieval England
University of Edinburgh, Scotland (2001)
Master of Science in the History of Art
Thesis: A Study of Virginity in the Medieval Bestiary
Wheaton College, Norton, Massachusetts (1998)
Bachelor of Arts, magna cum laude
Honours Thesis: Janine Antoni: Her Body of Work
ART 215: Art History Survey 1
ART 216: Art History Survey 2
HNR 310: Honors Seminar on the Silk Road
ART 316: Asian Art
ART 429: History of Graphic Design
ARTH 499: Art History Capstone
ART 611: Writing as an Artist
Awards
Nomination for Creative Scholar Award at Radford University (2025)
Donald N. Dedmon Distinguished Teaching Professor Award at Radford University (2024)
Distinguished Faculty Advisor Award at Radford University (2015)
School of Art & Design Award for Teaching Excellence by Graduate Teaching Assistant at the University of Illinois (2007 & 2004)
Fehl Graduate Dissertation Research Award at the University of Illinois (2004)
Grants
High Impact Practices Teaching Grant “Goth Rocks! Exploring Gothic Architecture in the New River Valley” at Radford University (2019)
McGlothlin Center for Global Education and Engagement Faculty Funding at Radford University (2024)
Radford University Summer Research Grant & Award (2011, 2009, 2008)
Fellowships
ELEVATE Research Faculty Fellowship at Radford University (2025)
Honors College Faculty Fellowship at Radford University (2024- 2027)
Other
Participant in the National Endowment for the Humanities Institute, “Representations of the ‘Other’: Jews in Medieval Christendom” at Oxford University (2006)
Worldwide University Network Research at the University of York (2003)
Bradbury, C. “The First Family at Work: Eve as Spinner and Mother.” In Family Matters: Spiritual and Maternal Connections in European Art and Patronage edited by Elizabeth Lisot-Nelson (Toronto: “Essays & Studies” series, Centre for Renaissance and Reformation, 2025): 241-269.
Bradbury, C. “Spinners as Signifiers: Eve, Mary, Sardanapalus, and Hercules.” Arts (Special Issue Early Modern Global Materials, Materiality, and Material Culture edited by M. Moseley) 2025, 14(4), 74.
Weida, C. & Bradbury, C. “Feminist Arts Education Heroines: Maker Mermaids, Poet Princesses, Storytelling Fairies, Weaving Witches and Unschooling Unicorns.” In The Intersectionality of Critical Identities in Art Education edited by Willis, S. (Viseu, Portugal: InSEA Publications, 2024): 182-188.
Weida, C. & Bradbury, C. "The Unicorn as Lifelong Companion: Remixing Inclusive, Intergenerational Art Education Journeys with the Freedom of Froebel and Wildness of Waldorf." International Journal of Lifelong Learning in Art Education Vol. 3, (2020) Article 6.
Bradbury, C. “Moneylending.” The Encyclopedia of the Bible and Its Reception (EBR). Edited by Constance M. Furey, et al. (Berlin, Boston: De Gruyter, 2020).
Weida, C. & Bradbury, C. “Tracing Treasure Troves and Traditions.” In Global Consciousness Through the Arts: A Passport for Students and Teachers edited by Richards, A & Willis, S. (Dubuque, IA: Kendall & Hunt, 2018).
Weida, C. & Bradbury, C. “Sleeping Beauty Illustrated & Illuminated: Past, Present, and Future Visions Of/By Women. In Art and Music: Past, Present, and Future edited by Lear, A. & Street, M. (New York: Nova Science Publishing, 2018): 85-100.
Bradbury, C. & Moseley, M., eds. Gender, Otherness, and Culture in Medieval and Early Modern Art (Palgrave Macmillan, New Middle Ages Series, 2017).
Bradbury, C. “Revisiting the South Station Hoard.” postmedieval: a journal of medieval cultural studies Volume 7, Issue 3 (October 2016): 421-430.
Bradbury, C. The South Station Hoard: Imagining, Creating and Empowering Violent Remains (Punctum Books, 2014).
Bradbury, C. “A Norfolk Saint for a Norfolk Man: William of Norwich and Sir James Hobart at Holy Trinity Church in Loddon.” Norfolk Archaeology XLVI (2013): 452-61.
Bradbury, C. “Making the Jew in the Hours of Mary de Bohun.” In Jews in Medieval Christendom: Slay Them Not edited by Price, M. & Utterback, K. (Brill Press, 2013): 223-244.
Bradbury, C. “Dehumanizing the Jew at the Funeral of the Virgin Mary in the Thirteenth Century [c.1170 - c.1350].” In Christians and Jews in Angevin England: The York Massacre of 1190, Narratives and Contexts edited by S.R. Jones & S. Watson (The York Medieval Press, by Boydell & Brewer, 2013): 250-260.
Bradbury, C. “Picturing Maternal Anxiety in the Miracle of the Jew of Bourges.” Medieval Feminist Forum Volume 47, no. 2 (2011): 34-56.
Bradbury, C. “Review Essay: Approaching the Book in Medieval England.” Religion and the Arts 14 (2010): 625-631.