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| Bernini: Rape of Persephone, 1622-24 | Koleichuk: untitled construction, 2010 |
TOPIC |
LINKS, etc. |
Late Medieval Italy (L. 13th
to early 14th centuries) :
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Medieval legacy?Powerpoint on the Trecento Legacy |
Late Med. and early
Renaissance in N. Europe (15th
c.)
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the Italian Renaissance
in the 15th century:
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Italian art and architecture in the 15th century, slide showAnatomy and the Artist (powerpoint with narration)The Spiritual and the Natural (narrated powerpoint) |
Italy in the 16th century:
regional differences and the emergence of a new style (mannerism):
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Italian art in the 16th century, pt 1Venice in the 16th centuryThe School of Athens (narrated power point) |
mannerism; the Counter-reformation; women as artist and patron; key artists: Bronzino, Parmagianino, Fontana, Anguissola, Veronese, Tintoretto: alternatives to the classical Renaissance |
Mannerism |
| Ren. and Mannerism in 16th c. N. E. (and
Spain): themes: the Protestant reformation, iconoclasm, the cult of portraits, the growth of the market; key artists: Dürer, Grünewald, Bosch, Holbein, Bruegel |
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| Baroque
Italy and Spain (the 17th cent.) Key artists: Caravaggio, Bernini, Gentileschi; Borromini themes: dynamism and theatricality; a new emotionalism; the restoration of the Church’s power |
|
| Baroque Northern
Europe the Treaty of Westphalia; new genres of painting; the middle class consumer; the king’s taste; key artists: Poussin, Rembrandt, Rubens, Hals, Leyster, and Vermeer; key monument: Versailles French, English and Russian Baroque |
|
| From Rococo to Neoclassicism: the 18th
cent. Themes: women and the academy; the pastel portrait in the 18th cent.; artifice, sentimentality and the natural; revolution and enlightenment key artists: Watteau, Boucher, Fragonard, Greuze, Vigée-Lebrun, Labille-Guiard, Hogarth, Adam, Kauffmann, David, Greenough, Jefferson |
Late Baroque/Rococo/Neoclassicism |
| From romanticism to realism in Europe and America themes: art as revolution; the emergence of photography and the growth of international exhibitions key artists: Delacroix, Géricault, Ingres, Goya, Constable and Turner, Cole and Church, Courbet, Daumier, Manet, Homer, Eakins, Tanner, Daguerre, Cameron, O’Sullivan |
|
| Impressionism and post-impressionism:
late 19th century themes: new theories of color and optics; an interest in modernity and modern life; the artist’s inner vision key artists: Monet, Manet, Degas, Renoir, Cassatt, Caillebotte, Gauguin, Van Gogh, Seurat, Redon, Rodin, Horta |
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| Early 20th century avant-gardes (art before WWII) key artists: Picasso, Braque, Boccioni, Matisse, Kandinsky, Mondrian, Duchamp key ideas and styles: cubism, futurism, absolute abstraction, art into life |
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| From modern to postmodern to post-postmodern?
Art since 1945 key movements: abstract expressionism, post-painterly realisms, minimalism, new media |
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FINAL EXAM : MAY 9, 10:15 a.m., 206 MG
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