ENGL 639: Syllabus
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Note:
Your "Probes and Insights" each week should account for all
the readings. You are not required to
submit probes and insights for the class period when you give your seminar
presentation.
1/8 Course Description: Goals, Expectations, Requirements
The Aesthetics and Politics of Woolf
and Morrison
Audio Presentation:
Morrison's Nobel Lecture available on course
web site; available on Nobel Prize Web Site
Video: Woolf's A Room of One's Own
1/15 Woolf and Morrison as Literary
Critics: The Politics of Aesthetics
Woolf, A Room of One's Own
Morrison, Nobel
Lecture (download, print, and read);
Morrison, "Unspeakable Things Unspoken" (in Readings)
OR "Black Matters" (in Readings). Choose one to read; we'll discuss both in
class (with a little help from our friends)
Taylor-Guthrie
"Conversation with Alice Childress and Toni Morrison" (in
Taylor-Guthrie 3-9)
Christina Davis, "An Interview with Toni
Morrison" (in Taylor-Gutherie 223-233)
1/22
The Politics that Ground the Aesthetic
in Woolf and Morrison
Morrison, "An Interview with Bill Moyers" (in
Taylor-Gutherie, Conversations with Toni Morrison, 262-274)
Morrison, "On the Backs of Blacks" (download,
print, and read)
Woolf,
Three Guineas
Seminar
Presentation: Group or
individual presentations on: the rise
of fascism in Europe (Spain, Italy, Germany); Spanish Civil War and the use of
aerial bombings; Woolf's diary entries
on the Spanish Civil War and fascism
1/29
Morrison's Portrait of the Artist as a
Young (Black) Woman
Toni
Morrison, The Bluest Eye
Morrison,
"The Pain of Being Black" (in Taylor-Gutherie, Conversations with
Toni Morrison, 255-261)
Jill
Matus, "Shame and Anger in The Bluest Eye" (in Readings)
Recommended
Reading (if you have time): Jill
Matus, "Contexts and Intertexts" (in Readings)
Seminar
Presentation: Group or
individual seminar presentations on race, the beauty industry, the "silver
screen," and the dominant culture's images of beauty in the 1950s U.S.
Some possibilities: the shift in the
black beauty products industry from the 1920s to the 1960s; what happened to
Madame C. J. Walker's concept of the black beauty industry by the 1950s; images
of beauty and the "ideal" family in 1950s text books; popular images
of "the normal family" in 1950s popular culture (movies, magazines,
ads, etc).
2/5 Woolf's Portrait of the Artist as a Young
(Lesbian) Woman
Woolf, To
the Lighthouse
Woolf, "Mr. Bennett and Mrs. Brown" (in
Readings)
2/12 The Trauma of War/The Trauma of Personal
Loss
Morrison, Sula
Jill Matus, "Sula: War and Peace Traumas" (in Readings)
Yvonne Atkinson,
"Language that Bears Witness" (in Readings)
Robert Stepto, "Intimate
Things in Place" (Taylor-Gutherie, 10-29)
Thomas LeClair, "The
Language Must Not Sweat" (Taylor-Gutherie 119-128)
Recommended Reading (if you have time): Barbara Christian,
"The Contemporary Fables of Toni Morrison" (in Readings); Gay
Wilentz, "An African-Based Reading of Sula (in Readings).
Seminar
Presentation: individual or group presentation on: 1) the
role of Black soldiers in World War I (the 369th, 370th, and 371st regiments);
2) Violence against Black soldiers in Houston; 3) violence against returning
Black soldiers after the war, etc.;
2/19
Woolf, Mrs. Dalloway
Virginia Woolf, "Professions for
Women" (in Readings)
Recommended
Reading: Carroll Smith-Rosenberg,
"Discourses of Sexuality and Subjectivity: The New Woman, 1870-1936 (in Readings)
Seminar
Presentation: individual or group presentation on:
1) The late nineteenth and early
twentieth-century discourses of sexuality and the pathologization of same-sex
relationships (female and male); Richard von Krafft-Ebing's Psychopathia
Sexualis and Havelock Ellis's work on sexual inversion and
homosexuality. For an excellent source,
see the scholarly work of Carroll Smith-Rosenberg in Disorderly Conduct and
"Discourses of Sexuality and Subjectivity" (in Readings);
2) The classification of "shell
shock" as a psychopathology after World War I, Freud's theories on shell
shock and "male hysteria"; 3)
The use of technology in W W I (tanks, planes, gas, etc.) and its
relationship to both devastating carnage and "improved" commodity
capitalism after the war; 4) Woolf's Diary
entries during the years she was working on Mrs. Dalloway (called also The
Hours, and other tentative titles.
See volume 2 of the Diaries and also Hermione Lee's biography of Woolf).
2/26
Morrison, Tar Baby
Charles Ruas, "Toni Morrison"
(Taylor-Guthrie 93-118)
Marilyn Sanders Mobley, "Narrative Dilemma: Jadine as Cultural Orphan in Tar Baby"
(in Readings)
Roberta Rubenstein, "Pariahs and Community" (in Readings)
OR Morrison, "Memory, Creation, and Writing" (in Readings). Read one or the other.
Seminar Presentation: individual presentation on the Tar Baby
story and its variations especially in relation to Morrison's novel
3/5 Woolf, The Waves
Jane Marcus, "Britannia Rules the Waves"
(in Readings)
Seminar
Presentations: group
or individual seminar presentations on:
1) The British Empire in India and Africa; 2) British Colonial
Administration of India; 3) British Education and the Empire (Joseph Bristow's Empire
Boys); 4) The British Empire and Gender (Anne McClintock's Imperial
Leather); 5) Woolf's Diary entries while working on The Waves (also called
The Moth. See volume Three of Diaries
and also Hermione Lee's biography of Woolf).
3/19
Morrison, Song of Solomon
Morrison, "Rootedness: The Ancestor as Foundation" (in Readings)
Claudia Tate, "Toni Morrison" (Taylor-Guthrie
156-170)
Nellie McKay, "An Interview with Toni Morrison"
(Taylor-Gutherie 138-155)
Recommended Readings: Susan Willis, "Eruptions of Funk"
(in Readings); Valerie
Smith, "Song of Solomon:
Continuities of Community" (in Readings);
3/26 Morrison, Jazz
Seminar
Presentations: 1) Jazz,
the stylistic and formal qualities of jazz music, and Duke Ellington's development
of the genre; the "Great
Migration" from the South to Northern Cities, particularly Harlem; 2)
Harlem in the 20s; 3) the East St. Louis attacks by whites upon the Black
community and protests against this violence in Harlem and D.C.; 4)
Madame C.J. Walker and her creation of an African-American women's
controlled beauty industry
4/2
Morrison, Beloved
Morrison, "The Site of
Memory" (in Readings)
Marilyn Sanders Mobley, "A Different Remembering: Memory, History, and Meaning in Beloved"
(in Readings) OR Marsha Darling, "In the Realm of
Responsibility: A Conversation with
Toni Morrison" (Taylor-Guthrie 246-254)
Seminar
Presentations: 1) The Margaret Garner story; 2) the Fugitive Slave Law; 3) the Underground
Railroad; 4) slave rebellions in the
U.S.; 5) Presentation on The Black Book compiled by Middleton Harris, et
al. (edited by Toni Morrison)--particularly on the history of slavery and
emancipation.
4/9
Morrison, Paradise
1) the Gnostic gospels especially their stories of female
Christian gods (use Elaine Pagel's book, The Gnostic Gospels). Relate these to Morrison's novel; 2) the migration
of Blacks westward after emancipation into Kansas, Oklahoma and elsewhere;
homesteading of Blacks; Black towns and communities in the West
4/16
Woolf, Between the Acts
Woolf, "Thoughts on
Peace in an Air Raid" (in Readings)
4/23
Scholarly Essay Due
Video:
Toni Morrison Uncensored
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