From loliver@netset.com Thu Feb 13 20:08:20 1997 Return-Path: loliver@netset.com Received: from zeus.netset.com (root@zeus.netset.com [206.183.227.10]) by ruacad.runet.edu (8.7.5/8.7.5) with ESMTP id UAA29259 for ; Thu, 13 Feb 1997 20:08:19 -0500 (EST) Received: from ppp081.dialup.cmh.netset.com (ppp081.dialup.cmh.netset.com [206.183.228.131]) by zeus.netset.com (8.8.5/NetSet-v.1.73+) with SMTP id UAA25477 for ; Thu, 13 Feb 1997 20:07:48 -0500 (EST) Message-ID: <33032DED.132A@netset.com> Date: Thu, 13 Feb 1997 20:06:21 +0500 From: Larry Oliver X-Mailer: Mozilla 3.01 (Win16; I) MIME-Version: 1.0 To: bluegrass@runet.edu Subject: Tab Content-Type: text/plain; charset=us-ascii; name="MPGBRK.TAB" Content-Transfer-Encoding: 7bit Content-Disposition: inline; filename="MPGBRK.TAB" Status: RO Here are five different guitar breaks played in the style of Doc Watson and Tony Rice from the song "There Are More Pretty Girls Than One" Remember that TAB is not a substitute for regular music notation but should be used along with the artist's record, tape or cd as a guide to timing etc. So run out and buy some of these great pickers material and enjoy. By the way these all import nicely and play in Tabestry. Treat the x's as rests. More Pretty Girls Break V E------------------|----------3--5--3-------------|--------------------- B---------------1--|--3/5--x-----------4h5--------|--------------------- G---0--0--0--2-----|------------------------0--x--|--0--2--0--2--0------ D------------------|------------------------------|--------------------- A------------------|------------------------------|--------------------- E------------------|------------------------------|--------------------- E----\--------|-----------------------0--|------------------------------ B---4-3p1--x--|-----------------1-----1--|--------------1-------1--3---- G-------------|--0--0--0--2--0-----3--3--|-----0--1--2-----0h2---------- D-------------|-----------------------2--|--3--------------------------- A-------------|-----------------------3--|------------------------------ E-------------|--------------------------|------------------------------ E---------|-------------------|---------------------|------------------- B---1--x--|-------1-----------|---------------------|------------------- G---------|--0h2-----0--x--x--|-------0-------------|--------0--1h2----- D---------|-------------------|--1h2-----1p0--------|--2--3------------- A---------|-------------------|---------------3--x--|------------------- E---------|-------------------|---------------------|------------------- E-----------------------|-------------|---------------------------|----- B---1-------1--3--1--x--|-------1-----|---------------------------|----- G------0h2--------------|--0h2-----0--|-------0----------0--x--x--|----- D-----------------------|-------------|--1h2-----1p0--------------|----- A-----------------------|-------------|---------------3-----------|----- E-----------------------|-------------|---------------------------|----- E--------------------|-----------------------|--1--0--x----------------- B--------------------|-----------------------|-------------------------- G--------------------|--0--2--0--------------|-------------------------- D------------0--1h2--|-----------1--2--0--x--|-----------1--0----------- A------0--3----------|-----------------------|-----------------3--x----- E---3----------------|-----------------------|-------------------------- E---|---------------------0--------------------------------------------- B---|---------------------1--------------------------------------------- G---|---------------------0--------------------------------------------- D---|---------------------2--------------------------------------------- A---|-------------0h2--3--3--------------------------------------------- E---|--1--2h3--x-------------------------------------------------------- Submitted by Larry Oliver (loliver@netset.com)