Dr. Roann Barris
Assoc. Prof. of Art History and Co-Director, Radford University Museum
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Artemisia Gentileschi: Self-Portrait as La Pittura, c. 1638/9Link to Art216: Survey II |
film still from Dziga Vertov: The Man with a Camera, 1927Art451/601-02: History of Photographic Media and Camera Arts |
William W. Story: The Libyan Sibyl, 1861Art448/601-01: American Art and Architecture |
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Constantin Alajalov, cover for "Modern Art at the SesquiCentennial" exhib. catalogue, 1920 |
Daniel Libeskind, Jewish Museum, Berlin (completed in 1998) |
The top three images relate to some of the classes I teach; the bottom two relate to the topics of my research and writing. But all of them capture what I think of as the experience of art history--an invitation to look at the world with new eyes, to see the familiar as something unfamiliar, and a vision which stays with you, even when you're no longer in its presence. What's more, all of the images on this page have a story to tell -- although their particular stories are not always obvious at first sight. Most of all, the image from the "Man with a Camera" challenges the whole question of vision and truth when it comes to art, photography, and the stories we tell about the world we live in -- which is precisely why we should study these images.