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Auditions

Twelfth Night, or What you Will

by William Shakespeare
Directed by Matt Davies

When: December 2 from 4-7 pm, December 3 from 4-7 pm, and December 4 from 7-10 pm (Callbacks)

Where: Hawes Studio Theatre, Porterfield Hall

What: Please prepare 10-15 lines of Shakespeare. It doesn’t matter which play or character, or even the gender of the character. If there is a speech from a role you’ve always wanted to play then seize this opportunity to be adventurous and creative. Just bring out your best!

How to Prepare: In addition to preparing your audition text, read the play.

Seeking: 12-15 actors*

* There will likely be some doubling of parts.

Please Note:  The first two audition dates will be the opportunity to present your initial 10-15 lines. Be prepared for the director to redirect your prepared text. People who attend the first day may be asked to come back the second evening to present again.

The third evening will be devoted to callbacks. So, it is best to set aside as much time during the scheduled audition times as you possibly can.

SPECIAL NOTE: Actors cast in Keep This for Me, we are working as best we can to make these auditions fit with your rehearsal schedule. Also, there is the possibility of being cast in Twelfth Night and The Way it Has to Be.

If you have any questions please contact Wesley Young at: wyoung@radford.edu.

 

The Way it Has To Be

Be part of a World Premiere!

By Jeremiah Munsey
Directed by Wesley Young

When: January 19, 20, 2015, at 6:30 pm.

Where: Hawes Studio Theatre, Porterfield Hall

What: Please prepare a no more than one-minute contemporary monologue in the tone of the play.

Seeking: 2 males, 2 females. Asian-American males are strongly encouraged to audition.

On both evenings immediately following the presentations of monologues there will be readings from the script. Those auditioning the first evening may be asked to return the second evening whether or not they were asked to stay the first night.

Scripts are available from Wesley Young in 248 Porterfield Hall on a 24-hour checkout. Of course, reading the play will be a strong guide toward audition material but looking at the works of playwrights such as Nicky Silver, Jon Robin Baitz, Tracie Letts, Sam Shepard, John Patrick Shanley and/or Beth Henley is suggested.

Radford University Theatre’s auditions are open to all students, not just Theatre majors and minors.

Questions may be addressed to Wesley Young at: wyoung@radford.edu  

GENERAL RU THEATRE AUDITION INFO AND TIPS

  • Auditions typically happen in the first two weeks of each semester. Occasionally an exception occurs in which a spring production may audition late in the fall semester.
  • RU Theatre auditions are open, meaning anyone can audition. You don’t have to be a theatre major. Community members may audition also with the understanding that priority in casting will go to RU students.
  • Most of our auditions require prepared material. If you are not a theatre student and don’t know how to prepare and present the requested material, usually something will be supplied to you to read. Theatre majors, however, are required to prepare according to the requirements for a given audition. In the case of plays requiring very specific skills such as singing in a musical, auditionees are highly encouraged to prepare the appropriate material.
  • Performance majors are required to audition for ALL productions. More on this below. 

Other audition “words to the wise”:

  • When it comes to auditions, one of the few things in your control is your level of preparation.  Reading the play is, arguably, the most important thing you can do to prepare. The plays are available from bookstores, online vendors and/or the play publishers. 
  •  It is the expectation that all performance students audition for all shows. Our auditions are designed to provide a variety of audition experiences so take advantage of these experiences right from the start. Every audition is one more step toward becoming comfortable with the process. In addition, it allows the faculty to see your work right away.
  • Take care not to “type” yourself at this point. Prepare, come on out and let the directors decide what you are “right for.” Certainly, if there is a role you are dying to play, or you are “perfect for,” shoot for that, but keep an open mind and don’t allow the attitude of “all these characters are older and I am only 18” stop you from coming to auditions. In university theatre the plays are produced to give you the opportunity to work on them.
  • Auditions are intimidating. Talk to the upperclassmen; use the performance faculty as a resource to answer your questions. However, no matter how much inquiry you make there will be no substitute for doing your personal preparation –reading the scripts, looking up unfamiliar words/references, making choices, being familiar with what the director is looking for (read audition notices carefully), getting rest, planning to dress appropriately, knowing where you are going and arriving early to sign in, warm up, etc.
  • It is smart to attend the first night of auditions if at all possible.
  • Once you are in the audition it is important to listen to instructions, have a positive attitude, be flexible when the unexpected happens, focus on what you are doing, and, of course, that age-old challenge…allow yourself to be at ease so you can do your best work.